Titles and typography
EditorialThe sum of typography, design, letters and images gives way to fascinating combinations. We gather some of our favourite credits between the movies that will show in Curtocircuíto 2018.
My initial thoughts about what a title can do, was to set mood and the prime underlying core of the film’s story, to express the story in some metaphorical way. I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it
People only talk about typefaces if they are type designers, or graphic designers, or are angry about them.
Caerán lóstregos do ceo, by Adrián Canoura. Planeta GZ.
Glucose, by Jeron Braxton. Radar.
Three paths, by Alexander Dupuis. Explora.
Y’a-t-il une vierge encore vivante?, by Bertrand Mandico. Une rétrospective a Bertrand Mandico avec son actrice fétiche Elina Löwensohn.
Los que desean, by Elena López Riera. Penínsulas.
Trees Down Here, by Ben Rivers. Explora.
M. (Manuel Moldes Pontevedra Suite, 1983-1987), by Ángel Santos. Planeta GZ.
In Between Takes, by Alexei Dmitriev. Radar.
One Forty, de Ulrich Seidl. 
Vanités, by Bertrand Mandico. Une rétrospective a Bertrand Mandico avec son actrice fétiche Elina Löwensohn.
Saladdin castique, by Anssi Kasitonni. Radar.
Word for forest, by Pia Rönicke. Explora.
Sky Room, by Marianna Milhorat. Explora.
Notre-Dame des Hormones, by Bertrand Mandico. Une rétrospective a Bertrand Mandico avec son actrice fétiche Elina Löwensohn.
Via, by Maria Ferreira. Explora.
Das satanische Dickicht - DREI, by Willy Hans. Radar.
Les garçons sauvages, de Bertrand Mandico. Une rétrospective a Bertrand Mandico avec son actrice fétiche Elina Löwensohn.
Nutsigassat, de Tinne Zenner. Explora.
Sendeiro, de Lucía Estévez. Supernova.
Los desheredados, de Laura Ferrés. Penínsulas.
Mahogany Too, de Akosua Adoma Owusu. Explora.